Carmen Leon is the first artist we are profiling from The Califas Legacy Project.
In the Califas Legacy Project, Museo Eduardo Carrillo documents four decades of the work of five Chicano/a/x artists in the Central Coast region; Yermo Aranda (2020 Santa Cruz Artist of the Year), Eduardo Carrillo (1937-1997), Ralph D’Oliveira, Carmen León, and Amalia Mesa-Bains. We believe it is important to fill a missing piece of American Art history by looking locally to this untapped Monterey Bay Crescent region.
The project is multifaceted and includes free online curricular resources and exhibitions, a documentary series of videos, a one-of-a-kind collaborative “mural” hand painted in an 18″ x 18″ accordion-fold book that extends to 18′, with assemblage shadow box on the cover. The book is designed and letterpress printed by Felicia Rice of Moving Parts Press.
In creating the book our goal was to reunite our regional American artists, linking art and social movements of the 1960s rooted “en Califas” to the next generation of Latinx and other artists. Make use of our free resources to expand student’s knowledge of contemporary art and voices in the Latinx Chicano/a communities. A free curricular unit brings the art to life for students through a structured guide to creating personal narrative responses. Find it here: https://museoeduardocarrillo.org/educator-resources/guide.
The legacy of these artists reaches deeply into our communities by contributing to cultural unity, enhancing collective memory, and creating new awareness in viewers.
We welcome you to explore Carmen Leon’s paintings. It is the first exhibition of work in the Califas Legacy Project series.
Don’t hesitate to contact us with any questions, or feel free to leave a response below!
The Califas Legacy Project online exhibition, offered by the Santa Cruz Art League (SCAL) and Museo Eduardo Carrillo, tells an untold story of Chicano/a/x artists living in the Central California Coastal region. This exhibition includes artworks by Guillermo (Yermo) Aranda, Ralph D’Oliveira, Carmen León, and Amalia Mesa-Bains. We expand the geographic art historical narratives about Latino artists in the United States that are primarily centered in large, urban environments such as Los Angeles, San Francisco, and Chicago.
The Califas Legacy Project has unified the Monterey Bay Crescent through public retrospective and multi-generational exhibitions, zoomed in opportunities, streetside art viewing, portable murals, documentary videos, panel discussions, and a Latinx-based symposium. In 1982, Professor Eduardo Carrillo conceived of the “Califas: Chicano Art and Culture in California” conference to bring together artists, scholars, and creative social instigators to take stock of La Raza y El Movimiendo after several decades of political awakening and action. Together with Philip Brookman, Tomas Ybarra Frausto, and Juventino Esparza, he assembled a remarkable group for a multi-day symposium. They argued and agreed that the Chicano movement in all its variety and manifestations was very much alive and needed continued nurturance.
Now, almost forty years later, the Califas Legacy Project features the art and ideas of our region’s Chicano/a/x and Latinx creative leaders, the elders in the movement.
Our commitment is to secure the preservation of these artists’ legacies and awaken a new generation to the richness of the Monterey Bay Crescent artists contributions. Theirs is an un-contained influence – linking the powerful social movements of the 1960s to the next generation of Latinx and other artists. The exhibition surveys work from over four decades per artist, thereby sharing their artistic evolution and making visible what has been here all along.
The Califas Legacy Project fills a vacant part of American art history.
Guillermo (Yermo) Aranda is an elder and wisdom keeper of the history and ancestral teachings for Chicano/Native/Mexica identified peoples. He was the co-founder of El Centro Cultural de La Raza, a cultural art center focusing on Latino and Indigenous Art forms. As the Centro’s first Administrative Director, Aranda initiated the Chicano Park Murals in San Diego in 1973. Chicano Park is now recognized by the City of San Diego and the State of California as an historical site.
Ralph D’Oliveira has painted more than 100 murals in California and abroad during his 40+ year career as a muralist. He has done dozens of projects with schools and school children. In 2013, he traveled to Norway to do a mural project in Trondheim. He coordinates his projects collaboratively with neighbors and students in schools. He views all these projects as a way to build community. Ralph draws on his multicultural background incorporating native Chumash and Mexican roots.
Carmen León is a painter and teacher of art. In 1975-76, she was involved with a grassroots arts center, the Academia del Arte Chicano de Azlan, painting some of the first murals in Watsonville. In 1985, she began teaching art in the schools, focusing her involvement with the Latino community and drawing on her Peruvian and Mexican heritage. León was one of the co-founders of Galeria Tonantzin in San Juan Bautista, CA, a venue for women’s art.
Amalia Mesa-Bains is a curator, author, visual artist, and educator. In her home altars, ofrendas, and writing, she examines the formation of Chicana identity and aesthetic practices, the shared experiences of historically-marginalized communities in the United States, especially among women of color, and the role of multiculturalism within museums and cultural institutions. Her work is in collections worldwide and in 1992 she was awarded the MacArthur Fellowship.
Zoom Reception: February 3, 2020 @ 4:00-5:00pm | Register Here
The reception will feature a tour of the virtual exhibition hub, website, and a panel discussion with Amalia Mesa-Bains, Philip Brookman, and others.